Document Imaging Service Bureau

Hoover Dam was constructed during one of the most depressed economic climates in American history in a remote desert canyon where temperatures ranged from single to triple digits. In order to visually document the project, the Bureau of Reclamation assigned employee Ben Glaha to photograph all aspects of the dam's construction. Glaha's photographs were used in press releases, periodicals, books, pamphlets, and slide shows to demonstrate that the dam was structurally sound and that government funds were being used wisely. Hoover Dam: The Photographs of Ben Glaha is the first detailed examination of Glaha's images of the project, some of which have never before been published. Glaha photographed every aspect of the construction process -- from details of how the dam was assembled to the overall progress as the dam rose from the bottom of the dry riverbed. Glaha not only provided the Bureau with the photographs it required, he also employed his own artistic abilities to produce images of the dam that were exhibited in museums and galleries as works of art. Because Glaha was able to create a selection of Hoover Dam photographs worthy of exhibition, he was unique among government documentary photographers. Art historian Barbara Vilander's text places Glaha's efforts within the historical context of western landscape exploration and development and reveals how his particular qualifications led to his selection as the project photographer. Vilander then examines the many publications and venues in which the Bureau used Glaha's photographs to create support for the project. She also discusses how Glaha was recognized in his own era as an influential artist and teacher, and compares hiswork with that of other contemporary landscape photographers addressing western water management. Glaha's Hoover Dam images were widely published, although in accordance with Bureau policy he was not usually given personal credit and therefore his name remains largely unknown.

Wayne Miller's photographs chronicle a black Chicago of fifty years ago: the South Side community that burgeoned as thousands of African Americans, almost exclusively from the South, settled in the city during the Great Migration of the World War II years. The black-and-white images provide a visual history of Chicago at the height of its industrial order -- when the stockyards, steel mills, and factories were booming -- but, more important, they capture the intimate moments in the daily lives of ordinary people. Miller was adept at becoming invisible, and his photographs are full of naked, disarming emotion. One of the first Western photographers to document the destruction of Hiroshima and the survivors of the bombing, Wayne Miller had just returned from his stint as a World War II Navy combat photographer under the direction of Edward Steichen when he received two concurrent Guggenheim fellowships to fund his Chicago project. Taken over a course of three years beginning in 1946, his photographs span city scenes from storefront church services to slaughterhouse workers in the taverns at night to a couple making love. In addition to affording a glimpse into the hopes and hardships shared by a community of migrants who had just made the long journey from the rural South to the urban North, the images collected in Chicago's South Side reflect the enormous variety of human experiences and emotions that occurred at a unique time and place in the American landscape. A few celebrities appear in these images -- Paul Robeson, Ella Fitzgerald, Lena Horne, Duke Ellington. But mostly we see ordinary people -- in clubs and at church, sporting events, parades. Much is on view that is ofinterest to the student of mid-twentieth-century black Chicago: the neighborhoods Richard Wright's Bigger Thomas traversed in Native Son, the Bronzeville limned in Gwendolyn Brooks's earliest poems, and the street life that inspired the urbanscapes of painter Archibald Motley.

Document imaging - Document Imaging is information technology category for systems and software capable of capturing, storing and managing scanned documents (document images).

National Security Service (United States) - The National Security Service is to be an office within the Federal Bureau of Investigation that will consolidate the bureau's counterterrorism, counterintelligence, and intelligence duties. Headed by an Executive Assistant Director, it will absorb the FBI's Counterterrorism, Counterintelligence and Directorate of Intelligence and will be under the authority of Director of National Intelligence John Negroponte.

Home Return Permit - Home Return Permit (Simplified Chinese: 回乡证, Traditional Chinese: 回鄉證, pinyin: Huíxiāng Zhèng), also refered to as 'home visit permit', or 'China Back Home Pass', is a national identity document issued to PRC citizens from Hong Kong and Macao as the entry permit to mainland China. It is issued by the Public Security Bureau of Guangdong province through China Travel Service sub-branches in Hong Kong and Macao.

Taiwan Public Television Service Foundation - Taiwan Public Television Service Foundation (PTS, Chinese: 公共電視文化事業基金會) is the first independent public broadcasting institution in the Republic of China (ROC), which broadcasts the Public Television Service Taiwan. Although first proposed in 1980, it was not until 1984 that the ROC's executive-level Government Information Office (GIO), which regulates mass media activities and serves as the government press bureau, attempted to create a separate entity that would produce public interest ...

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